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JOURNEY INTO SPACE: THE RED PLANET
CD Collector's Edition
Reviewed by Ceri Laing
Writer / Producer:
Charles Chilton
Starring:
Andrew Faulds, David
Kossoff, Guy Kingsley Poynter, Bruce Beeby, David Jacobs
THE SERIAL
Following the huge success of the
first Journey into Space serial, which was later remade as
Operation Luna, writer / producer Charles
Chilton was commissioned for a second adventure with the crew of Jet,
Lemmy, Doc and Mitch.
For twenty weeks between September of 1954
and January 1955 listeners of the BBC’s Light Programme were riveted by
the exploits and misadventures that befell the crew in their journey to -
and on - The Red Planet…
In
1971, six years after events of the crew‘s visit to the Moon, on man’s
first flight into space in the experimental rocket-ship, Luna, they
set-out on a new mission – to explore Mars. From a purpose-built base on
the Moon, the four men have a new ship, the Discovery, which heads a fleet
of eight craft, each manned by two crewmen. Their journey is hampered from
the start. Two of the fleet’s crewmen are killed when a meteorite hits a
section of the moon base before launch. Then, during the long journey to
the planet they have to go through a supposed meteorite shower and the
behaviour of one crewman, Whitaker, becomes increasingly odd, affecting
anyone he comes in contact with. When they finally reach Mars and start
the exploration events escalate. The crew realise someone or something
doesn’t want them there…
This second series retained many of
the original cast members. Jet Morgan, as ever, was played by the
African-born
Andrew Faulds. Following his radio success in
Journey into Space, Faulds had appearances in the film adaptation of
The Trollenberg Terror, Cleopatra, The Charge of the
Light Brigade and several projects with director Ken Russell. His
television work includes episodes of Hancock’s Half Hour, Danger
Man and Paul Temple. Returning as Lemmy was
David Kossoff, in the role taken by
Alfie Bass in the following serial The World
in Peril, and the Operation Luna re-make. Kossoff is perhaps
best known today for his appearances on variety shows, and his Bible
recitation tours.. His genre work includes appearances in the Cartier /
Kneale adaptation of 1984, playing Alf Larkin in the 1950s TV
series and 1960 film Inn for Trouble and the
Terence Fisher-directed Hammer movie The Two
Faces of Dr Jekyll. “Doc” Matthews was, as usual, played by the New
York-born
Guy Kingsley Poynter, who was best known for his
stage work, but later made a notable genre appearance in Michael Powell’s
controversial Peeping Tom. Finally, Australian
Bruce Beeby played Mitch, having started
out in the role for half of the first serial before having to be replaced
by fellow Australian
Don Sharp. Sharp would play Mitch for The
World In Peril before becoming a director. Beeby’s genre work includes
the Sharp-directed, The Devil-Ship Pirates, and episodes of
Randall and Hopkirk (Deceased) (Could You Recognise The Man Again?)
and Timeslip (The Day of the Clone).
The
two main supporting actors for the serial were
David Jacobs and
Anthony Marriott. Sharing Announcer duties for
Journey Into Space with Guy Kingsley Poynter, Jacobs was the vocal
backbone for the series, and provided most of the other voices heard
throughout the serial, such was his brilliant vocal talent. He became so
well-liked amongst the cast and production crew that one of his minor
roles, the amiable Frank Rogers, became a regular in The World in Peril.
Jacobs’ familiar voice can, of course, still be heard today on BBC Radio
2, but he found fame as presenter of Juke Box Jury during the
1960s, and as the first compare of Come Dancing. Anthony Marriott
superbly brought the unnerving Whitaker to life, a voice and performance
which never leaves you once you’ve heard it. Marriott became best known as
writer for both television and the stage, penning amongst other things,
episodes of Gerry Anderson’s puppet series and the infamous play No Sex
Please, We’re British. He is also held in high regard by many fans of
archive television, as the co-creator of the Public Eye series
starring Alfred Burke.
Throughout all three 1950s radio serials,
the music was written by Van Philips, and fantastic it is too. The Red
Planet’s score utilises the cues originally created for the first
serial, but complemented with new ones to reflect the new location and
darker narrative. The score brilliantly reinforces the drama, and is
inseparable from the overall feel. Chilton also used period songs to good
effect, giving wonderful depth to the surreal sequences which are
prominent throughout this serial. As with the other serials the sound
effects are expertly created and work extremely well in adding detail to
the drama.
“Orders must be obeyed without question
at all times...”
THE DISCS
If
you don't the history surrounding the recordings of the three Journey
into Space serials have a look at the
Operation Luna review
As with
Operation Luna,
when The Red Planet was broadcast it featured lots of timing edits,
so the episode could fit the given time slot. When it came to the
commercial release the serial was compiled into an omnibus feature, with
all the titles and cliff-hangers (beyond the opening titles of the first
episode and the closing titles of the final episode) removed. As the
cliff-hangers are an essential element of the serial, this meant that a
lot of the drama was lost because of this.
Ted
Kendall has again performed restoration, as he did for the Radio 2
broadcasts and the previous releases. As with the
Operation Luna CD Collector’s Box Set
all the material that appears on the
transcription discs is included in this set. The amount of material that
was excised before is unbelievable - predominantly the odd music cue, line,
or section of Doc’s narrative, but also a complete sequence when the fleet
comes into orbit around Mars. These edits would have been part of the
revisionist nature of the late 80s and early 90s, when it was often felt
necessary to tighten-up archive material for a modern audience. The
clean-up is very good, although not as clean as Operation Luna:
there are still the odd traces of hiss and print-through passed on from
the original master tapes. This is forgivable, especially considering that
this is an older recording. However, the vast majority of the faults have
been removed, and the fidelity of the recording remains strong. The
episodes have never sounded as good as they do in this release.
A nice little interview with Charles
Chilton lasting about four and a half minutes is also included in the set,
taken from the long running Radio 2 programme Round Midnight, and
originally broadcast to coincide with the 1989 airing of Operation Luna.
In the interview Chilton talks about the background to the series, the
creation of the sound effects and Van Philips’ music, as well the success
of the series at the time.
The twenty episodes, each approximately
half an hour long, are spread over ten discs, with the interview tagged
onto the final disc.
Andrew Pixley has also written the notes
featured in the accompanying booklet and again are extremely detailed.
They cover the production of the serial, merchandising, audience reaction
and broadcast details. Most interesting is coverage of director David Lean
exploring the possibility of optioning Journey into Space for a
film adaptation! The booklet is again illustrated with clippings from the
Radio Times. The information is so detailed - there is so much that
I was unaware of – that I’ll repeat what I said in my review of the
Operation Luna set – any publishers out there reading this PLEASE give
Andrew Pixley a contract to write the definitive book on this series!
“When
it’s night time in Italy it’s Wednesday over here…”
SUMMARY
This
is yet
another stunning package, following in the wake of the equally impressive
Operation Luna CD Collector’s Box Set. Again full credit
goes to Ted Kendall, Andrew Pixley and the team at BBC Audiobooks for the
brilliant restoration of the complete and unedited episodes, the detailed
information booklet, and the inclusion of the Round Midnight
interview. The set doesn’t feature extras as good as those on the
Operation Luna set, or the set containing the final serial (which
should include the ninety-minute The Return From Mars play), but
The Red Planet is the strongest serial so it balances out.
The packaging is still the cardboard type,
which doesn’t afford much protection, but again it is very well presented
utilising the Dan Dare-style illustrations of scenes from the
serial (some of which are dotted about this review). They do make the set
stand out well and a poster of the illustrations is included. Again a lot
of care and attention has gone into this set and it does show.
What of the serial itself?
Well, it’s widely regarded as being the
best of the three serials and it’s my personal favourite. So, why is it
that good? Well…
Operation Luna is a fairly
simplistic story, naturally so, as it was the first science-fiction serial
Charles Chilton wrote and he was finding his way with the genre. With
The Red Planet he takes what he learnt and adds it to his many years’
experience of writing ongoing radio serials and creating strong drama. The
serial is superbly written, and is the high point of the three serials
(the follow-up serial, The World in Peril, comes close but doesn’t
quite maintain the quality of The Red Planet).
All three serials succeed because of the
detail that is put into them that enhances the drama. Twenty weeks of
half-hour episodes gives a story chance to develop and evolve at natural
pace – but with The Red Planet Chilton maintains the consistency
all the way through.
For this second serial the four main
characters are well-established, well-played and well-loved by their
audience. They’re underpinned by brilliant support characters, such as
Frank Rogers and Whitaker. All of which draws the listener into the events
effortlessly.
The
first half of the serial is given over to the long journey to Mars and all
the events that take place to deter the fleet from reaching the planet,
and features the superb character of Whitaker. You get wonderful sequences
such when the fleet goes through the supposed meteorite shower (created
brilliantly through sound effects) and the surreal dream Jet experiences
when he’s taken back to the 1920s by Whitaker to visit an exhibition in
London underscored by the period song When It’s Night Time In Italy.
On Mars you have the great sequences where the crew explore the planet in
the land trucks; Lemmy’s own surreal dream where he’s taken back to his
childhood and his local Sunday Market; and Mitch getting lost, only to
find himself in the Australian outback where his only company is a
dingo-scalper. All the way through to the cliff-hanger, which leads into
the final serial, Chilton is unrelenting in keeping you wanting to know
what happens next.
I first heard this serial back in the early
90s, and it blew me away. Since then I’ve listened to it many times and
never tire of hearing it: each time is such a joy. But this is the first
time I’ve fully heard it unedited, and it’s fantastic to finally hear it
properly. There is so much new material in this release: from Doc’s
opening narration to each episode, to the odd lines and music cues
peppered throughout.
I cannot recommend this box set highly
enough – it’s a perfect piece of radio, a perfect piece of science
fiction, a perfect piece of drama.
But when you get to the end you’ll want to
know what happens next, and you will: The World in Peril is getting
the CD Collector’s Box Set treatment shortly…
Limping home, the remaining eight men of a
once twenty-strong fleet struggle to warn Earth of the impending threat
that is to befall it…
Links to recommended retailers:
UK customers -
Play.com
European customers -
Amazon.co.uk |