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DOCTOR WHO -
THE SEEDS OF DEATH
Director:
Michael Ferguson
Starring:
Patrick Troughton, Frazer Hines, Wendy Padbury, Louise Pajo
The
Seeds of Death, originally broadcast in 1969, was one of the last Doctor
Who stories to be made in black and white, and is the first story to
be released on DVD to mark the 40th anniversary of the series (the current plan
is to release one story from each Doctor's reign during 2003). It's also
the first six-episode Doctor Who story to be released on DVD, since there were
initially concerns that cramming six episodes on a single disc would be
ill-advised. Ironically, now that the technology has improved to the point
where this should be feasible without compromising quality, it's become cheap enough to manufacture two
disc sets that can be sold for a little - if anything - more than a single
disc. Even more ironically, The Seeds of Death was put together under the impression that it would be authored
as a single disc, so the generous array of bonus material that's on offer might
have been even more comprehensive, had it been known that it would
eventually be split over two discs (a dual-layer disc for the feature, a
single-layer disc for the various extras).
The series was being
well-managed at the time, and relatively well funded. The BBC had recently
made three seasons of the anthology series Out of the Unknown, and
was becoming increasingly skilled at making science-fiction. Doctor Who
was certainly benefiting from the miscellaneous props, costumes and
models it was able to recycle!
The story is
particularly well directed (by Ferguson, who later went on to produce Casualty,
The Bill and EastEnders), who uses numerous directorial
flourishes and techniques that must have been quite innovative at the
time, giving it an exciting edge that has meant that it's not become too
stuffy. The story, about a race of aliens who plot to colonise Earth after
wiping out the human population with suffocating spores, is rather
routine, and thinly spread over six episodes (the ideal length for a Doctor
Who story seems to be four episodes, more or less the same length as
the average feature film). Some of the story looks quite cinematic, shot
on large sets that certainly wouldn't disgrace a modest feature film (a
few others,
like a technological control room shrouded with drapery, that reveal some
serious penny-pinching, however!) The featured alien race, the Ice Warriors, were
returning to the series after a very popular debut story, and make
impressive villains (although their Achilles' heel - heat -
makes for lazy plotting). The series' three regulars (the Doctor and his
companions, Zoe and Jamie) were all on the verge of
leaving the series at this point, and had obviously established a
comfortable rapport with each other.
The
six episodes have been extensively restored by the Doctor Who
Restoration Team, and look nothing like the versions released on VHS in
the mid 80s, so comparison is practically pointless. The VHS version was
washed out, with poor contrast and significant geometric distortion. The
DVD has almost perfect contrast and greyscale, and restores detail in the lighter areas
which was simply absent before. The series certainly hasn't looked this good since
it was originally transmitted, and it's quite probable that it didn't look
this good even then! For more information about the re-mastering of the
series, see our article on
early Doctor Who
on DVD, or visit the
Doctor
Who
Restoration Team's website. If your exposure to black and white television is
limited to the odd Steptoe and Son repeat (practically the only black and white
material BBC Television seems willing to acknowledge these days), then the
picture quality of this disc will be a revelation. It's not without its
flaws, however, but you'd have to be examining closely it with a good eye
to spot anything seriously detrimental (there are hints that the digital
video noise reduction (DVNR) or MPEG compression might be a little excessive here and there,
and occasional signs of motion artefacts).
The disc's audio
quality (2.0 Dolby Digital mono at 192kbps) is less distinguished, but
this is entirely due to technical inadequacies of the original source
recordings. It is, however a distinct improvement on previous versions. Much of the hiss has been carefully filtered
out, dialogue is almost always clear, and Dudley
Simpson's quirky music is free from distortion.
The
first disc contains two significant bonus features. The first is a
commentary track. For the first time on a Doctor Who disc, the producers
have opted for a 'revolving door' plan, perhaps acknowledging that
contributors cannot be expected to remember much from something they
worked on more than three decades ago. This is a clever move, since the
group dynamics change depending on which combination of cast and crew members is
being used. The contributors to this commentary are Michael Ferguson (the
director), Terrance Dicks (the series' script editor) and stars Wendy
Padbury and Frazer Hines. Ferguson seems well-prepared, and imparts some interesting trivia and anecdotes
(interestingly, he also admits at one point to one
fundamental mistake: that of not making the series' two different locations look
more distinctive). Hines and Dicks don't take the task as seriously,
preferring to poke fun at the wobbly sets and dodgy lines of dialogue.
Padbury doesn't make much of an impression, sadly, but does offer the odd
point of interest. Like the episodes themselves, the commentary track is
supported by English subtitles. The disc's other asset is a running text
commentary, using one of the subtitle streams to offer non-stop production
trivia. This information provides hard facts to support, complement
and occasionally contradict the commentary track. Neither track will
alienate casual viewers, although in-depth knowledge of the series would
be an advantage.
The second disc
features a bunch of miscellaneous clips, headlined by a new
twenty-five minute featurette, Sssowing the Ssseedsss, which
contains interviews with two of the actors who played the aliens,
extracts from an audio interview with the late Bernard Bresslaw (of Carry
on... fame) and comments from the story's costume designer Sylvia James.
It's not likely that any of these contributors would be able to reminisce for the
duration of a commentary track, so this featurette is the ideal length to
allow them to add their comments.
Doctor Who fans
are very grateful indeed to Tony Cornell, who shot ten minutes of
silent 8mm behind the scenes material from the 1967 story Evil of the
Daleks (only one episode survives, to represent what was probably one
of the series' best stories). His record of the filming, titled The
Last Dalek, is offered here, with commentary with two members of the
special effects team featured in the footage, Michaeljohn Harris and Peter
Day. Seeing the footage is quite frustrating, of course, but very
rewarding.
A series of very short
clips from missing Doctor Who stories starring Patrick Troughton is offered. These were
recovered from New Zealand, and contain footage cut out of the episodes
for being too frightening. Out of context they won't mean much to casual
viewers (a couple of them will be downright mystifying), but fans will get
a real buzz from watching these precious seconds from The Web of Fear and
The Wheel in Space.
The last few Doctor
Who DVDs have each featured a short clip of the TARDIS in various
exotic environments, which were created by the BBC's Special Effects
department for use on the official Doctor Who website. This time
it's TARDIS-Cam No.5, and the setting is suitably chilly. Heaven
only knows what casual viewers make of these!
A comprehensive photo'
gallery (set to a montage of sound effects from the story) is also
offered.
I couldn't
wholeheartedly recommend The Seeds of Death to someone with only a
casual interest in the series (for one thing, the four part Patrick
Troughton story Tomb of the Cybermen - also available on DVD - is a
better representation of his era), but anyone with even a passing interest
in TV science fiction should be thrilled. If nothing else, The
Seeds of Death DVD demonstrates that archive television programmes can
be completely reinvigorated using state-of-the-art restoration techniques.
Material which might once have simply gathered dust in the vaults can be
given new a new lease of life, and made available to a whole new
generation.
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